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LAST NIGHT A DJ SAVED MY LIFE BOOK

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Last Night a DJ Saved My Life is a book written by Bill Brewster and Frank Broughton about the history of DJing published in A compilation album of the. Last Night a DJ Saved My Life was the first comprehensive history of the disc jockey, Story time just got better with Prime Book Box, a subscription that delivers. Last Night a DJ Saved My Life [Frank Broughton] on resourceone.info *FREE* shipping on qualifying offers. Paperback of book.


Last Night A Dj Saved My Life Book

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Last Night a DJ Saved My Life book. Read 74 reviews from the world's largest community for readers. From the first time a record was played over the airw. Buy Last Night a DJ Saved My Life (updated): The History of the Disc Jockey: by Bill Brewster, Frank Broughton (ISBN: ) from Amazon's Book. Buy Last Night a DJ Saved My Life: The History of the Disc Jockey Updated, Revised ed. by Author Bill Brewster (ISBN: ) from Amazon's Book.

In this brief review just highlight some unknown aspects of this story. In the middle I leave many episodes: for example, you can search the therms of "Nortern Soul" in the 70s UK, or the historical influence of Studio About Studio 54, I cannot resist to explain the experience of the disco group Chic, when they were not allowed to enter in the New York most famous disco -even if here they were playing their own songs- and in revenge the group composed "Fuck Out", a song that retitled became the great hit "Freak Out".

The book is full of anecdotes like this one. So, maybe, the the only criticisms of the book is that it is excessively detailed in some moments, and perhaps a chronology a bit confusing.

This book basically covers the time when a man or woman played a record in front of an audience.

It covers stuff from the 20's to of course the Disco era to the Northern Soul. Description Last Night a DJ Saved My Life was the first comprehensive history of the disc jockey, a figure who has become a powerful force shaping the music industry--and since its original publication, the book has become a cult classic.

Now, with five new chapters and over a hundred pages of additional material, this updated and revised edition of Last Night a DJ Saved My Life reasserts itself as the definitive account of DJ culture, from the first record played over airwaves to house, hip hop, techno, and beyond.

From the early development of recorded and transmitted sound, DJs have been shaping the way we listen to music and the record industry. Bill Brewster and Frank Broughton have tracked down the inside story on some of music's most memorable moments. Focusing on the club DJ, the book gets first-hand accounts of the births of disco, hip hop, house, and techno. He currently lives in London. Frank Broughton: Rating details.

Original Title.

Last Night a DJ Saved My Life: The History of the Disc Jockey

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Sort order. May 13, Meredith Enos rated it liked it. This book is clearly well researched, but the prose bogs it down.

It takes a fascinating subject and makes it sometimes painful to read about--painful as in laden with pedantry and cliche. It feels like it was written by one of those fanboys who loves "Buffy the Vampire Slayer" and knows why Angel was wearing that bracelet in that one episode and will tell you about it for 15 minutes got turned on to hiphop. The interviews were good, though. My apologies for mistreating the English language Four and half stars. If you have seen my profile you may think that this book is quite far from the usual, but not so much if we consider my interest in popular culture and, in addition, for my studies of sociology although I am not working in this discipline that has left me "installed" the curiosity about social phenomena.

On My apologies for mistreating the English language Four and half stars. On the other hand, I did not know the phenomenon in itself, that is, the cultural meaning and the history of the music that today has derived in dance music and in our case with the figure of the DJ. A fascinating story of counterculture, working classes and racial minorities actually not really minorities , gay subculture and drugs, a lot of drugs.

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The elements that is, the technology for the first disc jockey to be born more than a century ago are: And this is how all starts including the first disputes over copyright and the interests of the record companies. Although of course there is a third element missing: Over time, there will come the many and varied ways to mix and alter the music.

This book is an extensive work that very accurately analyzes the DJ "without going into philosophical questions" or sociological ;- in the words of the authors; that is, a book written from the dance floor: In this brief review just highlight some unknown aspects of this story.

As an example of counterculture: In the middle I leave many episodes: About Studio 54, I cannot resist to explain the experience of the disco group Chic, when they were not allowed to enter in the New York most famous disco -even if here they were playing their own songs- and in revenge the group composed "Fuck Out", a song that retitled became the great hit "Freak Out".

The book is full of anecdotes like this one. So, maybe, the the only criticisms of the book is that it is excessively detailed in some moments, and perhaps a chronology a bit confusing. Oct 02, Tosh rated it it was amazing Recommends it for: Music and non-music lovers. A super interesting history of the DJ and his record collection. This book basically covers the time when a man or woman played a record in front of an audience. It covers stuff from the 20's to of course the Disco era to the Northern Soul.

I am not into dance music or DJ culture, but saying that this is truly a fascinating history of records and the role it plays in individuals lives as well as social groups of all sorts. The Northern Soul cult is beyond fascinating. Yet are beautiful records. The DJ's would protect their source with their lives. Also the connection between Gay sub-culture and disco clubs is one fascinating read.

Really this is truly a great book. One doesn't have to be a music lover to appreciate the history of DJing that goes beyond discos, etc. Nov 02, Gregarious cline rated it it was amazing Shelves: This book is my bible. I reread it every couple of years and get something new and vital out it every time.

I'm glad I initially read it years after I started DJ'ing or it might have over loaded my circuits. It's fascinating that the principles that made these historic DJs, DeeJays, and DiscJockeys amazing still hold true today. A must read for anyone who has ever attempted DJ'ing once or more. Jan 02, Chuck Pee rated it it was amazing.

I teach "electronic music history" because of this book!!! I cherry-picked chapters around my musical tastes, so I can heartily recommend the parts on reggae and hip-hop. The authors admit that their treatment isn't comprehensive, but focused on their experiences and connections. Still, great stuff on the origins of DJing and the musical forms it spawned.

Nov 24, Kirk Chantraine rated it did not like it.

Last Night a DJ Saved My Life: The History of the Disc Jockey

Do you mark a book as read when you have to stop reading since it makes you so angry? Sexist, inaccurate, pretentious and condescending - if you have any attachment to DJing or appreciation for music stay away. Nov 30, Johnpaul rated it really liked it.

This is the other half. The characters, music, moods and ideas all collide. View 1 comment. You could divide this book into two parts basically: From major DJ movements being described with a mostly objective and detached style, we suddenly move into numerous UK micro-genres and spin-offs no You could divide this book into two parts basically: From major DJ movements being described with a mostly objective and detached style, we suddenly move into numerous UK micro-genres and spin-offs not all of which fleshed out to the standards set earlier in the book; I still don't really know how to interpret 'rare groove' as a movement for example.

Is it just a jazz-funk revival in the eighties? I'm not sure if that's because I've been reading the extended, updated version, but the book was surprisingly back-loaded as a result - also to the point of fatigue at times.As a result there was a need for snappy talkers to sell up the virtues of chewing tobacco and patent chest tonic.

In , Jerry Wexler, later a partner of Atlantic Records, wrote in the Saturday Review of Literature suggesting "a term more appropriate to more enlightened times. The very name comes straight from the title of a radio show, and the music itself was nothing more than what was previously called rhythm and blues, which in any case, as we have seen, owed its emergence largely to the rise of localized radio and the black disc jockey.

I was fascinated with the northern soul and disco chapters. As the book went on though, the analysis fell off and the book became just a list of facts.

Stuffy, pompous staff announcers read the news from the daily press.