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HOW BRANDS BECOME ICONS PDF

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Brand nirvana is to build an icon – to create a brand like misunderstand how icons work, because, for over three . How Snapple became an iconic brand. Request PDF on ResearchGate | On Jan 1, , Douglas B Holt and others published How Brands Become Icons: The Principles Of Cultural Branding. HOW BRANDS. BECOME ICONS. The Principles of. Cultural Branding. Douglas B. Holt. Harvard Business School Press. Boston, Massachusetts.


How Brands Become Icons Pdf

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Marketers prospect's mind. misunderstand how icons work, because, This position . Snapple became an iconic loyal following of 'angry white men' who brand. How Brands Become Icons The Principles Of Cultural Branding Douglas B Holt [ PDF] [EPUB] How global brands travel with consumers: An. How Brands Become Icons: The Principles of. Cultural Branding by Douglas B. Holt. Harvard Business School Press, September , ISBN:

A strategy Simpsons and Beavis and Butthead became that has pulled Snapple out of history con- hits. Nirvana and the cartoon strip Dilbert paint- ed culture-leading myths that responded to these tensions.

Snapple did not take on Coke and Pepsi by capturing category bene- 2. Act as a cultural activist fits like refreshment or youthfulness. Nor Snapple not only targeted an expansive myth did the brand grab hold of desired lifestyle market, it actually was one of the instigators imagery.

Snapple did not plumb a deep of these myths. It ran its satirical ads and product truth or a profound consumer emo- introduced playful flavours long before the tion.

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Icons act as cultural What Snapple did was to ignore category leaders, as activists encouraging people to competition and, instead, enter foreign terri- think and act differently through their sto- tory for conventional brands — the realm of ries. The most powerful iconic brands are cultural politics. Snapple represented a pop- prescient, anticipating changes in society. Icons are charismatic leaders previously established by brands such as Marlboro, Volkswagen and Nike.

These principles are radically different to those that quote underpin the success of mind-share brands such as Pampers, Gillette or Colgate.

Target a cultural contradiction Icons do not target demographic groups or psychographic clusters. Rather, they take aim at the most important cultural tensions in society. They do not simply evoke benefits, personalities or emotions; they advance causes. Icons are resolutely political in their stance, using sto- ries to evoke new ideas, new ways of living. Create original expressive culture as an artist Iconic brands have charisma: They invent new culture.

Iconic brands do not follow trends or attach themselves to hot celebrities. Mimicking existing culture con- veys that the brand is a follower rather than an inspirational leader.

Instead, iconic brands use cultural developments as a palette with which to create. Develop an authentic populist voice other iconic brands avoid these attributions For a brand to become an icon, it must be by becoming committed insiders in the pop- perceived as a credible spokesperson for the ulist worlds from which they speak.

People must trust that the brand has a deep understanding of the point of view it is articulating and that it is committed to its Conclusion views rather than playing a game of imper- Icons cannot be built with mind-share prin- sonation for commercial gain. American ciples. Mind-share strategies are exercises in iconic brands earn this authenticity by intensive abstraction.

Populist epi- agers, ad planners and market researchers, centres are non-commercial places subcul- the strategy is boiled down to a handful of tures, folk cultures, social movements where catchphrases and adjectives, augmented per- new culture is created untainted by commer- haps with some pictures or a video.

But what cial interests. To that Snapple inhabited the same space as its ensure that strategy fits with history, strate- politically disaffected customers. Twenty- gy must move beyond abstract benefit first century customers are deeply distrustful descriptions to an understanding of how the of opportunistic brands that swipe public brand fits into what is taking place in culture culture for private purposes.

Snapple and and society. Dietrich harvardbusiness. How Brands Become Icons: Save Share.

How Brands Become Icons: The Principles of Cultural Branding

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How could it apply professional marketing To complement the advertising, Snapple to a brand that attracted legions of devoted sponsored several events, but not the usual followers for its amateurism? The new blockbuster sports and celebrity spectacles of owner avoided brand management ortho- Coke and Pepsi. Instead, Snapple staged doxy by hiring a young copywriter to run the events that mocked big corporate promo- marketing department.

Over letters a week poured in, not to men- tion original videos, songs, artwork and poetry, all dedicated to Snapple. These same amateurish brand performance in the con- Americans expressed particular disgust in text of the social tensions in earlys their elected officials, who seemed to be American society. In the utopia Snapple acted out, companies were run by amateurs who cared more about having fun with their A brief history of Snapple customers than in generating profits to stockholders.

They inspired their customers Leonard Marsh, Hyman Golden and Arnold Greenberg and they played around with products and set up the Unadulterated Food Corporation and begin promotions, however crazy.

Drinking a bot- selling fruit drinks to health-food stores in New York. Beverage Group.

The new owner introduces product Quaker Oats purchased Snapple at this extensions such as Elements and WhipperSnapples. The new owner reorganisations, Reagan promised that fired Limbaugh and Stern, scrapped Wendy America would lead the world again. As a result, Snapple has become ideals. Television programs such as The a conventional lifestyle brand.

How Brands Become Icons: The Principles of Cultural Branding

A strategy Simpsons and Beavis and Butthead became that has pulled Snapple out of history con- hits. Nirvana and the cartoon strip Dilbert paint- ed culture-leading myths that responded to these tensions. Snapple did not take on Coke and Pepsi by capturing category bene- 2. Act as a cultural activist fits like refreshment or youthfulness. Nor Snapple not only targeted an expansive myth did the brand grab hold of desired lifestyle market, it actually was one of the instigators imagery.

Snapple did not plumb a deep of these myths.You tend to take it for granted…until it stops working.

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Rather, iconic brands play off cultural texts that the other culture industries have already put into play. You will find a button on the side of the rotating blades of your AC. To that Snapple inhabited the same space as its ensure that strategy fits with history, strate- politically disaffected customers.

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