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THE BOOK OF LIFE 2014 ENGLISH SUBTITLES

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The Book of Life's gorgeous animation is a treat, but it's a pity that its story 0, English, subtitle The Book of Life HDRip XviD AC3 EVO. The Book of Life movie YIFY subtitles - details. The Book of Life. +. 4. -. English Language: sub Uploader: DOWNLOAD SUBTITLE · login or register. Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart, embarks on an adventure that spans three fantastic.


The Book Of Life 2014 English Subtitles

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Subscene Free Download subtitles of The Book of Life () Hollywood English movie on the biggest movie subtitles database in the world. Subtitles: English [CC]. Audio Languages: English . THE BOOK OF LIFE is produced by Guillermo del Toro, directed by Jorge Gutierrez, and features an. From producer Guillermo del Toro and director Jorge Gutierrez comes an animated comedy with a unique visual style. THE BOOK OF LIFE is the journey of .

She bands together with a rag-tag group of characters in order to save their world -- and ours. A group of musical spies Twist, Kiki, Shout and Marina solve mysteries and stop evildoers with the help of Commissioner Goldstar, their monkey sidekick Bo, and gadget guy Reed. A young boy named Kubo must locate a magical suit of armour worn by his late father in order to defeat a vengeful spirit from the past.

Rango is an ordinary chameleon who accidentally winds up in the town of Dirt, a lawless outpost in the Wild West in desperate need of a new sheriff. When a shy groom practices his wedding vows in the inadvertent presence of a deceased young woman, she rises from the grave assuming he has married her. When Blu, a domesticated macaw from small-town Minnesota, meets the fiercely independent Jewel, he takes off on an adventure to Rio de Janeiro with the bird of his dreams.

The time-travelling adventures of an advanced canine and his adopted son, as they endeavor to fix a time rift they created.

When a boy's beloved dog passes away suddenly, he attempts to bring the animal back to life through a powerful science experiment. From producer Guillermo del Toro and director Jorge Gutierrez comes an animated comedy with a unique visual style. Before choosing which path to follow, he embarks on an incredible adventure that spans three fantastical worlds where he must face his greatest fears.

Written by 20th Century Fox. It's October and it is usually the time for Halloween themed movies. Unfortunately for us, Halloween has been reduced to cheap horrors, or repetitive thrillers that are a bit of a bore.

This year has been slightly different, but this reviewer would like the studios to go back in the past and pull some more seasonal themes to entertain us.

Well, someone got my vibe, because my last review is on a film that captures the festive fun that Halloween is for the young and young at heart. So sit back my friends and catch my latest review on the animated feature The Book of Life. I'll start this review with talking about the story.

Now we know the typical elements involved in this type of plot, but this film deviates from the typical and gives a little more pep around the story. From the start you get the backstory on each character, and the individual struggles they each face. Then they take these qualities and exploit them by bringing in the two masters of the underworld, who make a wager as to who will win the girl.

The result of this wager, makes for an interesting romantic tale that is fun, emotional, and more realistic than half the dramas we get these days. However, the movie does not stop there, instead it ties in an adventure and blends it into all the aspects, making for a fun film. Once more, the whole tale revolves around the Mexican celebration of the day of the dead, bringing a unique take on the classic Halloween tale and providing a little education as well.

The story isn't the only thing influenced by the Mexican culture though, the artistic style of the movie is also heavily influenced. Many of the elements are similar, with the skeletons and landscapes sharp and angular to mirror the darkness of the afterlife.

However, unlike Tim Burton, this director chose to liven things up a little by veering from the dark colors and adding wide splashes of colorful. This is not only to catch your eyes, but also to mirror the celebration that Day of the Dead is about and that life doesn't end as long as you are remembered.

In the Underworld especially the color comes out, and the festivities are brought to full fold in the magical realm of the dead. Deep in the land of the Forgotten, the oblivion of elimination is presented by a frozen cavern where hope is nonexistent. Regardless, the worlds are diverse and fun, filled with ancient Central American influences that were a welcomed change.

Even the characters have pizazz to them, each main character standing out in their own unique way.

I in particular liked the Queen of the underworld, impressed with the blend of partying, happy, and death all wrapped into one package. The ruler of the Forgotten Land, was also of unique design, sharp, dark edges in shades of purple, neon green, and crimson to portray the darkness of his soul. What else makes this movie fun?

The next aspect is the comedy, which for the most part is well timed and well delivered. There isn't much unique writing or witty humor in this movie, but more in how it is delivered. Countless puns are shouted in ridiculous voices, often followed by a character face planting into an object.

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What's even better is that the comedy is also diverse and spread out instead of following the typical style of beating a joke to death, the exception being Joaquin's obsession with mustaches.

In addition to the comedy, the music also brings some thing to the film. Most of the numbers are covers of famous songs, some done horribly to be funny and others that are very relevant to the plot.

A couple of the original numbers made my emotions go on a ride, as happiness, sadness, and even love all came together in the instruments and voice. Now most won't find it as powerful as Frozen, but for this reviewer it was nice having the music around the movie, not the opposite way around.

Aside from the singing, the voice acting is incredible, each of the cast capturing the essence of the stereotypical Mexican character. Now there are too many to write about so let me pick my three favorites.

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First is Christina Applegate, the girl has got sass, spunk, and compassion all at work in her tour guide character. The girls sells the story as she uses the wooden puppets, which are represented in the character design, to craft the tale, keeping the kids in line, and yet showing empathy.

Then there was Zoe Saldana who has the feisty Mexican girl zest that shows everyone girls don't need men to save them. Her voice is suave and full of passion, and exactly the buffer needed amidst the rowdy, rough voices of the cast.

Finally the Queen of the Dead was my favorite character, and Kate del Castillo does a nice job bringing the character to life with flare, kindness, and the ability to hold her own.

What can you take away from my sporadic rambling? The Book of Life is one of the better animated films I've seen in a while. It's Halloween fun, with colorful worlds and characters that balance out the predictable and limited tale. I strongly recommend seeing this movie in theaters, possibly in 3-D. I haven't had this much fun at the movies in quite some time, and I believe most will enjoy the adventure at hand.

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Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart, embarks on an adventure that spans three fantastic worlds where he must face his greatest fears. Jorge R. Gutierrez , Doug Langdale screenplay by. A cartoon woman in a museum has a tiny waist and wears a miniskirt with a slit over one thigh.

Swords are used in battles among banditos and a giant bandit on one side and people and ancestral ghosts on the other; we see a lot of punching, flipping and slashing, and while people are knocked down, no one bleeds or dies. In a flashback, lighting strikes the silhouette of a bull dead in a practice session with a bullfighter.

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A statue of a soldier features the man on rearing horseback, brandishing a sword. Children play with short wooden swords, but no one suffers harm. Adult soldiers practice sword fights briefly without injury. Two female ghosts brandish long swords and say they won the Mexican Revolution. Two men slap at and push each other and a woman slices a sword down between them to make them stop no injuries. A bullfighter states to a crowd that killing bulls is wrong and the crowd boos and throws things at him, hitting him in the head with a guitar from the stands no blood or bruising is seen.

A man who fights three bulls at once in his career sings opera arias as he battles banditos bloodlessly and dances in the air. A large man punches a smaller man out of a chair and off-screen.

A woman gives a pep talk to villagers, who take up swords and pitchforks to fight banditos. A woman punches a tabletop and leaves what she says is a chauvinistic gathering. A trio of mariachi sings under a window until one is hit by a pot and the second is flattened by a large cactus in a pot no blood or injuries; the second man wears the plant as a hat.

Many men wooden dolls have bulbous and wart-covered noses; some male faces look like Pablo Picasso's cubist paintings, with features all on one side or displaced around the facial area. A man in the sky has a yellow robe and a beard made of clouds, somewhat resembling a deity and he says that he is The Candle Maker, responsible for the thousands of lit candles in the afterlife that are the spirits of the departed; the candles dance and rotate in a column around the deity.

A dead man awakens in the colorful Land of the Remembered and meets his dead ancestors who are macho bullfighters or revolution fighters twin women wearing crossed ammo belts in Mexican style and the oldest ancestor, a huge man, looks a lot and behaves a little like a gorilla in bullfighter's regalia; all the deceased in the land are white with black decorations of dots and curlicues.

A museum guide says a bus full of kids looks like they are regularly in detention and another guard jumps out and scares them they gasp.Once more, the whole tale revolves around the Mexican celebration of the day of the dead, bringing a unique take on the classic Halloween tale and providing a little education as well. The sets and characters were all very beautiful and unique.

Language teachers have been using films in their classes for decades, and there are a number of reasons why film is an excellent teaching and learning tool. Lesson plans There are many websites and blogs which provide detailed and well-structured lesson plans based on film and television clips, short films and viral videos, which save the busy teacher a lot of time. Young Manolo voice Elijah Rodriguez In the Underworld especially the color comes out, and the festivities are brought to full fold in the magical realm of the dead.

The story isn't the only thing influenced by the Mexican culture though, the artistic style of the movie is also heavily influenced. A large man punches a smaller man out of a chair and off-screen. Another wonderful feature of this film is the musical score, written by Argentine composer Gustavo Santaolalla.

Her voice is suave and full of passion, and exactly the buffer needed amidst the rowdy, rough voices of the cast.