Politics Lalitha Chalisa In Telugu Pdf


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Lalitha Chalisa - Download as PDF File .pdf), Text File .txt) or read online. Durga-Saptasati-Devi-Mahathyam-Telugu[1].pdf. Uploaded by. Lalitha Chalisa,Lalitha chalisa in telugu. Posted by Unknown at AM. Labels: Lalitha Chalisa, Lalitha Chalisa in telugu. Hi Sudhasun, You have free downloads online for lalitha chalisa. On googling you may get those. Else you can visit any of famous amman.

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This sahasranama is held as a sacred text for the worship of the "Divine Mother", Lalita, and is used in the worship of Durga , Parvati , Kali , Lakshmi , Saraswati , Bhagavati , etc. A principal text of Shakti worshipers , it names her various attributes, and these names are organized in the form of a hymn.

This sahasranama is used in various modes for the worship of the Divine Mother.

Some of the modes of worship are parayana Recitations , archana , homa etc. Story[ edit ] This stotra hymn of praise occurs in the Brahmanda Purana history of the universe in the chapter of discussion between Hayagreeva and Agasthya.

Hayagreeva is an incarnation of Vishnu with the head of a horse who is held to be the storehouse of knowledge. Agasthya is one of the sages of yore and one of the stars of the constellation Saptarishi Ursa major. At the request of Agasthya, Hayagreeva is said to have taught him the thousand holiest names of Lalita.

This has been conveyed to us by the sage Maharishi Vyasa. Lalita Sahasranama is the only sahasranama composed by vagdevatas under Lalita's direction. All the other sahasranamas are said to have been passed on the writings by Maharishi Vyasa.

Note that even before Vyasa many worshipped the Devas with Sahasranamas. Vyasa did not compose sahasranams, but only popularized them through his writings. Paramashiva is one of the trinity of Hindu pantheons, in charge of moksha layam. He married Sati , the daughter of Daksha. Daksha and Shiva did not get along and consequently Daksha did not invite Shiva for one of the great fire sacrifices that he conducted.

Daksha insulted her husband and she jumped into the fire and ended her life. This incident upset Paramashiva and he entered into deep meditation. Sati reincarnated as daughter of Himavat , king of the mountains, and his wife, Mena.

The devas faced an enemy in Tarakasura who had a boon that he could be killed only by a son of Shiva and Parvati. So, to rouse Shiva from his deep meditation, the devas deputed Kamadeva , the God of love who shot his flower arrows at Shiva. Shiva ended his meditation and in fury for being disturbed, opened his third eye which reduced the God of love to ashes. The Devas and Rati , the wife of Kamadeva requested Shiva to give life to her husband Heeding their request Paramashiva stared at the ashes of Manmatha.

lalitha chalisa in telugu

From the ashes emanated Bhandasura, who made all the world impotent and ruled from the city called Shonita pura. He started troubling the devas. The devas then sought the advice of Sage Narada who advised them to conduct a fire sacrifice.

From the fire rose Tripura Sundari. Lalita[ edit ] In Lalita Sahasranama, the beginning of the text describes the formless Lalitha with an explicit female form and along with an equally charming consort.

Use na koi kasht sataave!! Sarva mangle jwaala maalini! Tum ho sarv shakti sanchaalini!!

Shri Lalita Chalisa - Full Song - With Lyrics

Aayaa maa jo sharan tumhaari! Vipadaa hari usee ki saari!! Naamaa karshidi chintaa karshidi! Sarva mohini sab sukh varshidi!! Mahima tab sab jag vikhyaataa!

Tum ho dayamayee jagmaataa!! Sab saubhaagya daayini lalita! Tum ho sukhdaa karuna kalita!!

Aanand sukh sampati deti ho! Kasht bhayaanak har leti ho!! Man se jo jan tumko dhyaave! Who turant man vaanchhit paave!! Lakshmi, durga, tum ho kaali! Tumhi shaarda chakra kapaali!! Moolaadhaar, nivaasini jai jai!

Sahasraar gaaminee maa jai jai!! Chhai chakron ko bhedane waalee! Karti ho sabkee rakhwaali!! Sab hain sevak sab anugaami!! Sabko paar lagaati ho maa! Sab par daya dikhaati ho maa!! Hemaavati umaa brahmaadi!

Bhandaasur ki hridaya vidaaridi!! Sarv vipati har sarvaadhaare! Tumne kutil kupanthi taare!! Chandra dhaaridi, naimishvaasini! Kripaa karo lalite adhnaashini!!


Bhakt jano ko daras dikhaao! Similarly, the ambika form of eight lines is the circle of the vowels. The nine triangles quiver forth the effulgent form of 10 lines. The Shakti, together with her surrounding nine blossomed forth the 10 trikonas. The second quivering form of 10 lines has Krodhisha as first of the These four chakras, of the nature of light, create the fold form, the essence of perception.

At the very heart of the bindu or centre of the Shri Yantra is that which caused it to emanate. This is Kamakala, consisting of the three bindus or potentials. One is red, one is white, and one is mixed. The red bindu is ova, the white bindu semen, and the mixed bindu the union of Shiva-Shakti, the individual as potential Shri Cakra. The semen of Varahi, the father-form, gives four alchemical dhatus to the child. The ova of Kurukulla, the mother-form, gives five dhatns to the child. Consciousness enters via orgasm.

The three bindus, collectively known as Kamakala digit of sexual desire , are the root potential of sun, moon and fire. It is like sun and moon coming together in an eclipse, or the seed from which the plant human being grows. Varahi's four alchemical dhatus are known as the four fires.

Kurukulla's alchemical dhatus are known as the five saktis. The combination of these five saktis downward pointing triangles and four fires upward pointing triangles , forms the complex figure in the centre of Shri Cakra. Varahi's four fires are the 12 3 x 4 sun Kalas, 12 sidereal constellations.

Kurukulla's five triangles are the 15 5 x 3 Kalas of the moon, 15 lunar days. The complete individual grows within nine months to be born as a Shri Yantra or plant.

The flowering of this plant is shown by the 24 petals of the yantra. The above all gives rise to the familiar shape of the Shri Yantra. The yantra is usually arranged in one of two forms. In the Bhuprastara, it is two dimensional and laid flat, usually facing the east, but sometimes the north, depending on the practice.

The Meruprastara has the yantra in a pyramidal form. Unless the yantra be decorated with the appropriate bija and other mantras, it is worthless. It is also dead unless it is installed with life and the individual doing the puja is initiated into one of the lines parampara. The three lines of the bhupura of Shri Yantra each has a set of subsidiary aspects or sub-limbs of the goddess.

On the outer line are the eight world protectors lokapalas , the guardian spirits of the directions and intermediate directions. On the middle line are eight Siddhi Saktis identified with the senses. They are the eight Matrikas. These saktis are collectively known as the Obvious Ones Prakata Yoginis. A form of the triple Devi known as Tripura rules all these shaktis in this individual mandala of the yantra known as 'The Chakra Ruling the Three Worlds'.

She has four arms, is the colour of crystal, is adorned with pearls and holds a book, a pot, and a beautiful lotus. Middle Line: The Siddhi Shaktis are smeared with vermilion, wear red garlands, carry noose and goad, and are as bright and beautiful as red lotuses. Inner Line: Brahmi wears yellow, has four arms, is beautiful.

One hand dispels fear, one grants boons, the others hold a jewelled jar and makes the gesture of purification. Mahesvari wears white, has three eyes, holds trident, skull, axe, and vessel containing sour curds. Kaumari wears yellow, holds shakti-dart, Javelin, and makes the gestures of dispelling fear and granting boons. Varahi is dark in colour, holds conch, discus, dispels fear, grants boons. She wears many ornaments and gems. She has the head of a pig, holding plough, mace, sword and shield.

Indrani is black, carrying a bright blue lotus. Camunda is black, holds trident and damaru hourglass drum , holds axe, and milk in a bowl. Mahalaksmi wears yellow, holds serpent, shield, bell and milk in a skull shaped cup.

The nature of this outermost mandala is fire of fire. The gem is topaz. The time is 24 minutes breaths. The Mudra is the All Agitating. Sixteen Petals The saktis in this circle are known as the Hidden Ones. The whole mandala of 16 petals is called 'Fulfiller of Desire'. The presiding form of the Lalita is Tripureshi. Her vidya is Aim Klim Sauh. She is described as ornamented with all gems, carrying a book and a rosary.

The 16 yoginis in this mandala are associated with the attainment of desires by the cultivation or strengthening of power over mind, ego, sound, touch, sight, taste, smell, intellect, steadiness, memory, name, growth, etheric body, revivification, and physical body.

They are described as the Nitya Kalas. Each holds a noose, a goad, pot full of nectar, and makes the sign of giving. They are very red. The gem of the mandala is sapphire. The dhatu of physical alchemy is chyle, the first product of the disintegration of food by the biological fires. The time is three hours breaths. The Mudra is the Wettening Mudra.

The nature of the mandala is sun of fire. The whole circle of eight petals is called the 'All Exciting Cakra'.

Presiding here is Tripura Sundari. Her vidya is Hrim Klim Sauh. She is described as swaying because of her love intoxicated state, with her eyes full of bliss. She smiles with passion. She shows the mudras dispelling fears and granting boons.

The eight saktis in each of the eight petals of the mandala are described as saktis of Speech, Holding, Walking, Excreting, Pleasure, Abandoning, Concentration and Detachment. They are described as sapphire blue, holding noose, goad, dispelling fear, and holding blue lotus. Their names Ananga Madana etc all convey terms of loving sexuality.

The gem is cat's eye. The dhatu is Flesh. The time is day and night breaths. The mandala's nature is moon of fire. The Yoginis are called 'Concealed by Tradition'. The presiding form of the devi is Tripura Vasini.

Her vidya is Haim Hklim Hsauh. She is very red and very beautiful. Fourteen shaktis of the triangles are associated with the chief nadis or currents of bioenergy. They are described as being proud, wanton, young, colour of cochineal, ornamented with gems, holding noose, goad, mirror, winecup full of nectar. They are the Akarshanis or Attractors.

The gem is coral. The dhatu is blood. The time is weekday. The Mudra is called All Subjugating. The nature of the mandala is fire of sun. The saktis are called the Kula Kaulas. The presiding aspect of Red Devi is Tripura Shri.

Here, the goddess is as effulgent as rising Suns, adorned with celestial ornaments, with large rising breasts, holding book and rosary, dispelling fears and granting boons.

The 10 shaktis in the triangles are described as having thrilled faces, holding noose and goad and adorned with various crystal and heavenly gems.

These are the Yoginis of the 10 vital breaths. The gem is pearl. The time is Lunar Day tithi. The Mudra is called the All Intoxicating with Love. The nature is sun of sun. The Yoginis are called Without Origin. The presiding aspect of Lalita is Tripura Malini. Her vidya is Hrim Klim Blem. She holds noose and goad, dispels fear, and holds a skull. She is of vermilion brightness. Her shaktis are the colour of rising suns, adorned with pearls and gems, holding noose, chisel, and showing the gestures of knowledge, and giving boons.

They are the saktis of the 10 Vital Fires. The gem is emerald. The dhatu is Marrow. The time is Lunar Fortnight. The Mudra is the Great Goad. The nature is moon of sun. The yoginis are known as the Secret or Rahasya yoginis.

The presiding aspect of the Red Goddess is Tripura Siddha. Her vidya mantra is Hrim Shrim Sauh. She is described as the Destroyer of Poison. Her yoginis are the colour of pomegranate flowers, wearing red clothes, smeared with red scent, each carrying five arrows and a bow.

They are also called the eight Vasinis and rule the eight Sanskrit letter groups. The gem in this mandala is diamond Vajra. The time is month. The Mudra is Khecari Mudra. The nature of the mandala is said to be fire of moon. The Four Weapons In between the mandalas of eight triangles and the central triangles are the four weapons of the Red Goddess -- flowery bow, flowery arrows, noose and goad.

The Yoginis are called Very Secret. She is also known as Sampatprada Bhairavi, coppery effulgent, like suns, with three eyes, a face like the moon, adorned with white gems, with a beautiful figure, rising swelling breasts, intoxicated, wanton, young, proud, holding book, dispelling fear, holding a rosary and granting boons.

Kameshvari is called the Rudra Shakti. She is white in colour, besmeared with camphor, adorned with pearls and crystal, and various other gems, holding book, rosary, bestowing boons and dispelling fear. Vajreshi is the Vishnu Shakti. She is bright as red powder kumkuma , adorned with flowers and gems, like the dawn sun.

Her eyelids are smeared with sapphire dust, she holds sugarcane how, flowery arrows, bestows boons, dispels fear. Bhagamalini is the Brahma Shakti. She is effulgent as molten gold, adorned with priceless gems, holds noose, goad, and shows the gestures of knowledge and bestowing boons. The gem of the mandala is Gomaya.

The dhatu is Fat. The time is season two months. The Mudra is the Bija Mudra. The nature of the mandala is sun of moon. Bindu This mandala is called 'Purely Blissful'. Her vidya Kamaraja vidya is ka e i la hrim ha sa ka ha la hrim sa ka la hrim, plus a secret 16th syllable.

Lalitha Chalisa

Her description is that given in Vamakeshvara Tantra. Surrounding her are the Fifteen Nityas. The gem is ruby. The dhatu is hair. The time is year. The mudra is Yoni Mudra.

The nature of this central mandala is moon of moon. Yantra Mantra Tantra of Lalita Lalita, as primordial devi, rays out her attendants and shaktis as modifications of moon, sun and fire. In this Shiva has no place, no qualities, is without the ability to act. Only when united with devi may 'he' act.

Lalita Chalisa with Audio Alternative Versions

This is based on the subtle and practical idea of Shiva as pure consciousness, witness of the triple manifestation of his Shakti. This Shakti, the very essence of the three gunas of Sattvas, Rajas, and Tamas, is the cause of all manifestation in the universe and as a human being. The three shaktis, by blending and reblending, create all things. Shakti is triple as sun, moon and fire -- that is to say of all the sidereal constellations and planets, and therefore of Time itself.

She is threefold as intellect, feelings, physical sensation. Shakti is triple as wake-dream-deep sleep. What is called the Fourth is the witness, Shiva, who is said to pervade the whole cosmos just as heat pervades a red hot iron. The physical body, according to the precepts of Ayurveda, is triple as the 'humours' Vata, Pitta and Sleshma. The varying combinations of these three shaktis make up the physical body.

Shakti is also fivefold as aether, air, fire, water and earth. The combination of the five elements and three gunas produce Lalita's Eternities Nityas -- 15 in number, each identified with a lunar day of the bright fortnight. The moon, symbolising Shakti, is the mirror or reflection holding together all creation.

A close examination of the details relating to the nine mandalas of Shri Yantra reveals that the shaktis of the whole circle represent the human being, who, in potential, is Shakti-Shiva united.Sri Vidya is thus Bhukthi Mukthi prada the bestower of well-being, prosperity and liberation. Then the celestial city, the Nagar was built. Varahi's four alchemical dhatus are known as the four fires. Dedicated to Maha Guru Sri Agasthiar's universal mission: the spiritual uplift of all beings.

Chhai chakron ko bhedane waalee! The time is season two months.