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TABLA LESSONS PDF IN HINDI

Friday, May 3, 2019


daily lessons and to memorize what his teacher showed him. This seemed helped with the translating of Hindi musical terms and answering my many. Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page This guide represents a completely fresh approach to learning playing tabla, whether they want to pursue a full classical study of . Laggi compositions (Hindi.


Tabla Lessons Pdf In Hindi

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resourceone.info McClellan Road Explain the various parts of a Tabla and its function. • Recite the following The Hindi word,. 'Khaali' means. Beginners Lessons in Tabla playing. Posted on Sunday, June 29, How to play tabla [PDF - 17Mb] Many years ago, I took a course in tabla playing. A much better overview of this material is the book / CD set entitled "Learning the For a more extensive discussion please refer to "Fundamentals of Tabla".

With the exception of the open hand Ga, all are subject to a wide array of modulations. It also has a variety of pronunciations. Common ones are Ge, Ghe, Gin, or Ghin. Two Finger Ga The two finger Ga is the most common form. The most common technique is to hold the wrist down and arch the fingers over the syahi. The middle and ring-fingers then strike the maidan the exposed skin between the syahi and the chat.

One must always remember that this stroke is "khula" or an open stroke, therefore it must be very resonant.

Ga may be difficult for the beginner. There is a tendency to strike the drum and withdraw the hand under conscious control. Such action cannot be performed consciously. It is essential that the fingers and hand be relaxed the instant the drum is struck so that the hand can rebound of its own accord; like a ricochet.

Only then can you hear the full open sound that characterizes this stroke. Some players use only the middle finger.

This is generally considered to be a very poor technique. Index Finger Ga This is another common technique. Although it is a bit weaker than our standard two finger technique, when used in conjunction with the two-finger Ga, one is able to attain high speeds.

Open Hand Ga This Ga is played with the full open hand. This is generally used for special effects such as one might find in a Kathak recital.

Ka - Pronounced as in "Cup" This is a very common nonresonant stroke of the left hand. It is also the easiest to execute.

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One simply strikes the bayan with the flat palm and fingers. Notice that the tips of the fingers extend slightly over the rim of the bayan.

Beginners Lessons in Tabla playing

It is a flat slapping sound with no resonance, therefore it is called "band". The most common version is shown in the illustration, however other forms exist. Kat - Pronounced as in "Cut" Kat is a common variant of Ka. Its technique is basically the same, except the left hand is kept further back. This allows it to be louder than the more usual Ka.

Description

Naa - Pronounced as in "Not" This is a common resonant stroke of the right hand. It is produced by holding the last two fingers lightly against the syahi and using the index finger to forcefully hit the rim chat or kinar of the tabla.

It is important to keep the middle finger extended so as not to hit the drum. The correct position may be visualized by an "X" running across the drum. This cross pattern is not imaginary but is a reflection of actual resonance characteristics. The position of this cross is determined by the ring finger and little finger.

Sliding these fingers around will cause the position of the cross to vary. Maximum efficiency is produced when one strikes the chat at the position where the other leg of the cross passes over the rim. This is shown in the accompanying illustration. There are several versions of this stroke. They are differentiated by the exact place of striking and whether the finger is allowed to rebound or not.

BASIC STROKES AND BOLS

Occasionally one may find this stroke executed by muting with all of the last three fingers of the right hand; this however is considered to be very poor technique. Na - Pronounced as in "Nut" This is a nonresonant stroke which is made by striking the edge of the syahi with the last two fingers of the right hand.

This stroke has numerous names, especially when used as part of larger bol expressions. Some common ones are Da, Ra and Ta. Taa - Pronounced as in Taco This is a common stroke of the right hand. There are at least four ways to play this bol.

It is necessary that students know the definitions of these compositions in order to be able to apply them musically. Some thekas are played in different ways, depending on the tempo and the speed. This information and modified fingering to achieve higher speed are clearly presented. Another valuable resource in the book is the section on the various ways in which tihais are composed.

Before introducing compositions, Aloke has written out some unique exercises with numbers instead of tabla notes. These patterns are to be recited with hand claps.

There are six schools of tabla playing, called gharana.

The six separate genealogical charts list the names of some important tabla maestros. This book covers six talas time cycles.

All pages are loaded with fascinating compositions that are good for beginning and intermediate students.I was looking for the basic on Tabla to give it to my students. Beginners often have a difficult time making Tin sound different from Naa.

Tuesday, February 08, at It is a flat slapping sound with no resonance, therefore it is called "band". This is very similar to Tin ; unlike Tin, it is played more forcefully.