HARMONICA DUMMIES PDF
This books (Blues Harmonica For Dummies [PDF]) Made by Winslow Yerxa. Blues Harmonica for Dummies gives you a wealth of content devoted to the blues approach-specific techniques and applications. plus play- along exercises and songs that let you hear the sound youre s Blues. Harmonica. Beginner Manual,. 4 Edition th. Instructor, Frank Strong, Jr. Compiled by Jeanette Strong, [email protected] Read Blues Harmonica For Dummies PDF Ebook by Winslow resourceone.infohed by For Dummies, ePUB/PDF , resourceone.info .
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For you non-beginners and even intermediate players, school, pass out harmonicas in the key of C and a few days later, every single one of those kids. Download the Book:Blues Harmonica For Dummies PDF For Free, Preface: The fun and easy way to play blues on the harmonica Blues harmonica is th. 2nd ed. Wiley, p. For Dummies. ISBN 10 , 13 Master the harmonica fast with this fun, easy guide.
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Blues Harp from Scratch Blues Harmonica for Absolute Beginners PDF
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Blues harmonica for dummies Author: Winslow Yerxa Publisher: English View all editions and formats Summary: The fun and easy way to play blues on the harmonicaBlues harmonica is the most popular and influential style of harmonica playing, and it forms the basis for playing harmonica in other styles such as rock and country. Blues Harmonica for Dummies gives you a wealth of content devoted to the blues approach--specific techniques and applications, including bending and making your notes sound richer and fuller with tongue-blocked enhancements; use of amplification to develop a blues sound; blues licks and riffs; constructing a blues harmonica solo; accompanying singers; historical development of blu.
Read more Show all links. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Print version: Yerxa, Winslow Alan. Blues harmonica for dummies. Hoboken, N. Document, Internet resource Document Type: Winslow Yerxa Find more information about: Winslow Yerxa.
The fun and easy way to play blues on the harmonica Blues harmonica is the most popular and influential style of harmonica playing, and it forms the basis for playing harmonica in other styles such as rock and country. Reviews User-contributed reviews Add a review and share your thoughts with other readers. Be the first.
Add a review and share your thoughts with other readers. Similar Items Related Subjects: Linked Data More info about Linked Data. Primary Entity http: MediaObject , schema: Start thinking about this right now. Playing the harmonica is a great aerobic exercise. Straight from the Harp The harp is so all-American it is even part of baseball lore.
There was such an outcry from fans that the Yankees ended up rescinding the fine and giving Linz money for harmonica lessons to try to improve his playing. Becoming a Player Okay, you selected this book over all the other harmonica instruction guides in the store and invested a few dollars to purchase our combined wit, wisdom, and advice. This book provides you with knowledge based on our experience, but the only way you can get good is to practice hard.
The critical word is practice. All the chapters include healthy doses of practice exercises and songs. We also include some great songs that you might not know but sound great on the harp. One of the things we show you is how much fun you can have while you refine your skills. It should be a diatonic major harp in the key of C. Chapter 3 explains why and tells you what you need to know about choosing harmonicas. If you decide to learn the chromatic harmonica, it will require a serious upgrade in your inventory of harmonicas.
In the s, the Hohner Company presented a harmonica to Pope Pius XI that had solid gold faceplates and was encrusted with ivory and jewels. Practice, then listen. Learning to play the harmonica revolves around these two key words. This is true for all music instruments, but the listening aspect is particularly important for the harp.
The harp can produce an extremely broad range of sounds, and different artists have developed styles and sounds that are unique to them. Listening closely is the key to emulating these styles and sounds and then moving on to develop your own.
Learning to play a harmonica or other musical instrument is not rocket science. No matter how little musical talent you may think you possess, your persistence and commitment will pay off.
You will learn to play the harmonica very well. This is like exercising or anything else. It helps to have a schedule that provides consistency in your practice routine.
As much as you enjoy it. You should practice as long and as often as you want to and continue to enjoy it. You should start somewhat slowly and build up to a regular practice schedule.
You might be surprised at how much of a workout playing the harmonica is for your lips, tongue, and mouth muscles, not to mention your lungs and diaphragm. Blues Clues Try to practice the same time every day and the same days every week.
For example, establish a routine in which practicing is the first thing you do when you get home every day, or something you do for an hour right before you go to bed.
Getting into a routine helps develop steady progress and prevents you from going backward. You should practice at least 45 to 60 minutes per day if you want to make any serious progress. This can be done in one long practice session, a series of focused to minute sessions, or a combination of both. The pace you are comfortable with. Unless you have an imminent gig or recording session, there is no reason you need to practice at any pace other than your own.
Obviously, you should go through the exercises and songs in the order they are presented. New techniques and skills are introduced along the way, and you need to become proficient at each of them before you move on to the next.
Spend 10 minutes or so on one thing, then 10 minutes or so on something else, and then go back to the first thing. You should always work on three or four different areas simultaneously, and perhaps break them out into different practice sessions so that you can focus exclusively on the area at hand.
This is one of the great things about the harmonica. It can always be within your reach. Even a spare 10 minutes can be usefully and enjoyably utilized blowing on your harp. Trust us on this. This is a great way to perfect your technique and style and to learn the styles and techniques of the masters.
The harp is a versatile instrument, and you should embrace that versatility in your playing. This is one of the most important practice tips we can give you. It will give you the opportunity to evaluate your playing critically, which will greatly accelerate your progress.
Replay them again and again, listening closely to your technique, playing style, and sound. There is no substitute for playing live with other musicians. If you check at work, you might be surprised at how many of your colleagues have musical backgrounds and would enjoy the opportunity to play. You can put an ad in the music section of your local newspaper and check the postings at local music stores.
The complete idiot's guide to playing the harmonica
Many great harpists have never had a lesson in their life. If nothing else, a skilled instructor can introduce you to some fresh ideas that will add diversity to your playing style. Remember: The harp is the ultimate unstructured, free-style music instrument. What you play on the harp, more than on any other instrument, should be a pure reflection of your soul.
Your goal is not to merely play the music. Your goal is to feel the music. Music should be an extension of your mood at the moment, and you should let your emotion flow freely through your harp. Blues Clues Practice being spontaneous.
Set your CD changer to random selection, load it up with CDs of different styles of music, and let it rip. This is great preparation for professional jam sessions, which can get pretty hot and fastpaced. You want to be able to keep up.
It could even happen in as little as six months from when you get started. The harmonica world needs only so many masters. Within six months from the date you purchased this book, you could find yourself entertaining others with good quality music, playing professionally in a band if you want to, and generally having a good time with your music.
Author unknown. We just want you to note that the harmonica not only has survived several thousand years of human progression and occasional regression, but has migrated across different civilizations while constantly adapting itself to reflect prevailing musical tastes. In this chapter, we sketch the history of the harmonica from its oriental origins to its place in the modern world of music. Then we explore its role in the development of early American music styles and examine why it was and still is the perfect instrument for the sounds and rhythms that exemplify the American music experience.
Others contend that it was in fact Empress Nyu-kwa who deserves credit for inventing this instrument around B. We strongly suspect that the sheng actually was invented for either of these royal personages by one of the Royal Eunuchs. Whoever came up with the idea, the sheng was an immediate hit in the royal household and quickly spread throughout China and more distant areas of Asia.
It then began to spread westward with the opening of trade routes and was being played by Turks and Persians by the sixth century. Harmonicology A free-reed instrument uses free-standing reeds to create different tones.
The reed is a strip of leather or metal that is attached at one end and free to vibrate at the other. The flow of air makes the free end vibrate.
The length of the strip determines the tone: A longer reed produces a lower tone and, conversely, a shorter reed produces a higher tone. The sheng was one of the first free-reed instruments. Its reeds were fixed at one end and free to vibrate at the other.
The length of the reed determined the pitch of the tone. Modern day free-reed instruments include the harmonica, accordion, and concertina. Each of them has many different free-standing reeds of various lengths to create different pitches.
Compare them with a typical fixed-reed instrument, such as a clarinet or saxophone. With these instruments, the reed is fixed within, and vibrates against, a mouthpiece.
There is only one reed in the instrument. The pitch of a note is determined by the length of the tube attached to the mouthpiece. Different pitches are created by opening and closing holes in the tube. Much like its descendant the harmonica, the sheng was a highly expressive instrument that could be played with great versatility.
It could be mellow or shrill, and sheng players used many of the same techniques you will learn in this book: vibratos, bending, and trilling. Unlike the modern harmonica, however, the sheng plays the same notes on both inhale and exhale. Europe Adopts and Adapts the Free Reed Traders reputedly brought shengs back to Europe as early as the seventeenth and eighteenth centuries, but a French missionary, Pere Amiot, is generally credited with getting the freereed ball rolling in Europe in the late s.
Numerous experiments were undertaken to create free-reed variants of the original sheng. If the truth be told, this instrument was much closer to the modern-day harmonica than any of the others: The player could both blow and draw to play different notes, and chords could be played due to the unique ordering of notes using the same concept still found on diatonic harmonicas today. Richter is still the namesake for the most common tuning for diatonic harmonicas today. By the s, these free-reed instruments had become popular enough to be commercially produced in Germany, Austria, and Switzerland.
Hohner was much more than an artisan; he was a very good businessman who soon controlled the harmonica trade in Europe. Yet the greatest contributing factor to his success was nothing so grand. It was the simple act of corresponding with relatives who had emigrated to America.
They convinced him to ship a box of harmonicas to them in the early s, and a harmonica empire was born. The harmonica quickly found a market in America and spread both west and south, where it found its true roots. The harmonica actually followed two divergent paths to popularity in American music, two paths that initially were defined by racial lines.
Eventually, any racial distinctions disappeared and the two paths to a large extent merged. Among the European immigrants and their descendants, the harmonica was adopted for new American folk music that was a combination of Old- and New- World sounds and rhythms.
Much of the early American folk music was rooted in the popular music and dance tunes brought to America by European immigrants. Here, it was all mixed together into a melting pot of music, with a touch of American independence, freedom, and attitude added for flavor.
It was incorporated into American folk bands and, together with the fiddle and banjo, became a driving force at barn dances, saloons, weddings, festivals, and campfire sing-alongs. Harmonicology The straight harp is a style of playing the harmonica, also called the first position, in which the harmonica is played in the same music key as it is tuned to.
This style of playing consists primarily of blowing notes, as opposed to drawing, and is the dominant style of play for folk, bluegrass, and Celtic music. A more modern-day musician who exemplifies the straight harp style of play is Bob Dylan. Many notable characters from American folklore took up the harmonica to pass the time between gunfights and poker games or while lingering in jail cells. Davey Crockett was said to have played the harmonica for the Alamo defenders it is unclear who survived to report this.
They had brought from Africa many diverse styles of music characterized by intricate rhythms and notes not found in European music. Add their tradition of musical storytelling passed from generation to generation, and you have the birth of the blues. The slaves also brought from Africa a hand-held mouth instrument called a quill that was able to produce the same style of falling tones as the human voice. As the harmonica spread to the South, they soon learned that similar falling tones could be produced on this new instrument.
This was one of the first steps in the development of the style of playing known as cross harp, which is the dominant style of play for modern blues and is also widely used in rock and country music. Harmonicology The cross harp, or second position, is a style of playing the harmonica in which it is played in a key five notes higher than the key it is tuned to.
For example, a song in the key of G would be played on a C-tuned harmonica. This position is also known as the bluesharp position. At the same time, every German soldier was being provided with a Kaiser Wilhelm model for Christmas.
Harmonicas from Sea to Shining Sea Meanwhile, back in America, the popularity of the harmonica continued to grow and branch out into different areas of music. They started to spring up around the country in the early s, mostly as harmonica youth bands complete with uniforms in the style of marching bands. As these young musicians matured, so did their venues. Harmonica bands became a staple of vaudeville and concert halls in the s, and their repertoires were incredibly diverse, spanning ethnic songs, pop tunes, jazz standards, and light classical pieces.
The best known of these bands probably was Borrah Minevitch and the Harmonica Rascals, which was a popular fixture on stages around the country for 25 years. At the same time, radio and movies were competing for the attention and dollars of audiences, and the harmonica quickly moved into these media. The other significant pre-war harmonica development was the emergence of the first harmonica soloists focusing on classical music.
This was made possible by the invention in by Hohner, of course of the chromatic harmonica.
Harmonica For Dummies, 2nd Edition
Unlike other harmonicas, which could play all 12 notes in the scale only by using techniques such as bending and overblowing, the chromatic harmonica could play all 12 notes through simply blowing and drawing and pushing a button on the side of the instrument to sharpen or flatten the notes. This development opened up an entirely new world of music to harmonica players. The harmonica world was on a roll.
With an embargo in effect, harpists now turned their attention to figuring out how to repair what had previously been considered throwaway instruments. In the process of learning how to fix their busted harmonicas, players began to learn how to improve and customize them.
New styles of music appeared on the scene, and the harmonica again proved its versatility in becoming an important element of these styles. God put that on me to make me play. But the most important post-war event, as far as the harmonica was concerned, was conducted with much less fanfare. Suddenly, the harmonica took center stage on the Chicago blues scene. This sound became the standard for blues harp playing and was a major contributing factor in catapulting blues music and blues harpists, such as James Cotton and Junior Wells, onto the national scene.
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During this same period, the chromatic harmonica players continued to carve out a niche in the jazz and, to a lesser extent, classical arenas. Larry Adler was still the master of this scene in America right up until he was branded a communist and blacklisted during the dark period of the McCarthy hearings. He left his native country and emigrated to the United Kingdom. Also in the early s, John Sebastion became the first harmonicist to focus exclusively on classical music.
It was during this era that the harmonica once again captured the imagination of the American public, and sales soared. It seemed that, regardless of the style of music, the harp was a featured instrument.
Almost every British band featured a harp player, and American bands, such as Creedence Clearwater Revival, took up the instrument as well. Today, approximately two million harmonicas are sold each year in the United States alone, with annual worldwide sales exceeding 10 million. There are estimated to be over 40 million people in the United States who have played the harmonica. Hohner itself has produced well over one billion harmonicas since its first year when its founder painstakingly built the first No matter how you slice it, the harmonica is the most popular instrument in the world.
However, it also has an extremely strong presence in rock, country, bluegrass, and folk music, and a growing popularity in the world of jazz.Print version: The other significant pre-war harmonica development was the emergence of the first harmonica soloists focusing on classical music.
You will learn to play the harmonica very well. Tabs are like sheet music for learners who cannot read sheet music. Winslow Yerxa Find more information about: Replay them again and again, listening closely to your technique, playing style, and sound.
Chapter 5: The harmonica is an ancient instrument. The thinner the reed plate, the easier it is to bend notes.
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